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		    <titleInfo>
				<title>The Impact of Gender Identity on Text Perception</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Najme</namePart>
				<namePart type="given">Bahrami Nazarabadi</namePart>
				<affiliation>Faculty Member, Shahid Bahonar University of Kerman</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Hoda</namePart>
				<namePart type="given">Hadipour</namePart>
				<affiliation>Faculty member of foreign langugaes department. Shahid Bahonar University of Kerman</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2018</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">per</languageTerm>
			</language>
			<abstract>Since studies in different fields have become interdisciplinary increasingly, individual and gender identity subjects can be applied to other areas of humanities research, one of which is text perception. To examine and analyze the effect of gender Identity on text perception, we chose a short story by Charlotte Perkins Gilman, which received social feedbacks and feedbacks from critics of gender theory, and was considered from the perspective of critical discourse analysis a feminist text. This story was shared with some female and male students and they were asked to express their understanding, then a comprehensive questionnaire of personality traits was provided to this statistical society and the score of each person was obtained using SPSS software. Then, the resulted scores of each person were measured by his/her perception and  analysis and of the text, and based on the final results it turned out that there is a direct and significant relation between personality identity questionnaire (positive masculinity and positive femininity) and female writing perception, which was the purpose of this study. Therefore, we can conclude that students&#039; awareness of their personality identity and gender stereotypes can be influential in the process of text understanding, text linguistic characteristics recognition, the author&#039;s style of writing, and ultimately translation.   </abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Women Studies</title>
			</titleInfo>
			<originInfo>
				<publisher>IHCS</publisher>
			</originInfo>
			<identifier type="issn">2383-0743</identifier>
			<part>
				<detail type="volume">
					<number>9</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>ویژه نامه</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2018</text>
				<extent unit="pages">
					<start>1</start>
					<end>14</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">http://womenstudy.ihcs.ac.ir/article_3690_6a1aeb4802541bb9d8244744a1c4e3b4.pdf</identifier>
			<identifier type="doi"></identifier>
			</mods>
		<mods version="3.5">
		    <titleInfo>
				<title>A Critique of Gender Differences in the Novel Khaleh Bazi (Playing House)</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">zahra</namePart>
				<namePart type="given">hayati</namePart>
				<affiliation>faculty memeber/ Institue for humanities and cultural studies</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">mojgan</namePart>
				<namePart type="given">masoudi</namePart>
				<affiliation>institute for humanities and cultural studies</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2018</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">per</languageTerm>
			</language>
			<abstract>Structuralists consider dichotomies (oppositions) to be the fundamental concepts of the structural approach and believe that dichotomies are the constructions in literary studies that form the hidden meaning of the text. These dichotomies appear in different ways in different texts, and one can achieve the hidden meaning of text analyzing the type and manner in which they are used. The basis of the dichotomies is three main levels of narration: a) events and plots; b) personality and characterization; c) symbol and symbolism. From the analysis of the dichotomies which lie behind the gender look, it follows that, in Khaleh Bazi (Playing House), the oppositions relating to gender concepts are reproduced in a way that the two opposite sides create a balance at a point, and in other words, the author keeps a middle position in choosing between two opposites, as in the case of choosing between an infertile woman and a fertile woman, a woman who has the mental power of training and education is selected. In this paper, the oppositions that represent the gender look of novel Khaleh Bazi, have been extracted and analyzed which can be used in sociological studies, especially women studies.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Women Studies</title>
			</titleInfo>
			<originInfo>
				<publisher>IHCS</publisher>
			</originInfo>
			<identifier type="issn">2383-0743</identifier>
			<part>
				<detail type="volume">
					<number>9</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>ویژه نامه</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2018</text>
				<extent unit="pages">
					<start>1</start>
					<end>23</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">http://womenstudy.ihcs.ac.ir/article_3504_63d5b62a07bbea4d427a69fb81774e37.pdf</identifier>
			<identifier type="doi"></identifier>
			</mods>
		<mods version="3.5">
		    <titleInfo>
				<title>The Novel Billionaire's night; A Feminine Narration of Immigration</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">shokoh alsadat</namePart>
				<namePart type="given">hosseini</namePart>
				<affiliation>استادیار پژوهشگاه علوم انسانی و مطالعات فرهنگی</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2018</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">per</languageTerm>
			</language>
			<abstract>The analysis of the reproduction of the immigration phenomenon in women literature illustrates the struggle between itself and the other. The scope of the other includes the child, family, identity, land, history, and society. The driver of this conflict (between self and the other) is war, displacement and exile which with a range of historical and identical dos and don&#039;ts require individuals to choose. This research seeks to have a feministic reading of the experience of a female author of immigration; an experience that, in a dramatic narration, can expose the mindset and sometimes fantasy images of the author’s imagination beyond the news and media realities to the mind and conscience of the audience. Based on the novel Billionaire&#039;s night (1967), by Ghadah Al-Samman, Arab novelist, the present study examines the phenomenon of immigration and identifies the immigrants’ challenges. The identification of conceptual transformation in the identity of immigrants has been done through a feministic approach and by a descriptive-analytical method. The article shows that in spite of the author’s comprehensive insight into immigration phenomenon and immigrants’ problems, the patriarchal view and gender interpretations of the characters&#039; actions in characterization and advancing events are quite evident.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Women Studies</title>
			</titleInfo>
			<originInfo>
				<publisher>IHCS</publisher>
			</originInfo>
			<identifier type="issn">2383-0743</identifier>
			<part>
				<detail type="volume">
					<number>9</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>ویژه نامه</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2018</text>
				<extent unit="pages">
					<start>25</start>
					<end>48</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">http://womenstudy.ihcs.ac.ir/article_3505_e6faf124152d503ed70b12a755df9298.pdf</identifier>
			<identifier type="doi"></identifier>
			</mods>
		<mods version="3.5">
		    <titleInfo>
				<title>The Concept of Gender and the Boundaries of Body
In the Book Disciplining Women; a Critical Reflection</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">behnaz</namePart>
				<namePart type="given">ghazi moradi</namePart>
				<affiliation>University of Tehran</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2018</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">per</languageTerm>
			</language>
			<abstract>Studying the book Disciplining Women (al-Ta&#039;adib al-Niswan), this research aims to examine the concept of gender as a social construct in order to show how the boundaries of body are defined and then suppressed by linguistic mechanisms. Where body is understood by language it becomes a social and cultural construction which does not leave any way to understand the material and biological phenomenon of body. In Disciplining Women the body is intrinsically disturbing, abnormal, and antisocial. It is the occurrence and display of this kind of body that led the Qajar prince to write a book to correct it. His letter of advice (the book) illustrates the general pattern of patriarchal discourse in Iran, which considers gender as a limiting and natural characteristic of women. In this book the male subject purges himself by symbolic contamination and alienation of female body to draw a clear line between him and that ‘other’, which is both stranger and sufficiently familiar.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Women Studies</title>
			</titleInfo>
			<originInfo>
				<publisher>IHCS</publisher>
			</originInfo>
			<identifier type="issn">2383-0743</identifier>
			<part>
				<detail type="volume">
					<number>9</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>ویژه نامه</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2018</text>
				<extent unit="pages">
					<start>101</start>
					<end>129</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">http://womenstudy.ihcs.ac.ir/article_3511_0febc2b35b4ad8ded10f3ff8ccb53ee1.pdf</identifier>
			<identifier type="doi"></identifier>
			</mods>
		<mods version="3.5">
		    <titleInfo>
				<title>Traces of Older Women in Marital Relation with Younger Men
In Iranian Classical Literature</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Maryam</namePart>
				<namePart type="given">Kohansal</namePart>
				<affiliation>Assistant professor, Islamic Azad University Shiraz Branch, Persian Literature department</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2018</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">per</languageTerm>
			</language>
			<abstract>One way to examine the status of women in social and family relations is to analyze how women are represented in fictional and narrative works. This research deals with the marital and emotional relationships of women and men with an age analysis approach. To do this we have examined outstanding works in Persian literature, especially works that are in the context of society and are familiar to ordinary people, and also were effective in the collective thinking of people. The main question is what is the community&#039;s approach towards women age in emotional relationships according to classic fictions well-known for ordinary people? The reason we refer to classical fictions is that the reflection of social views of people can be found in classical and narrative literature, and the age of women, of course, is one of the things that are associated with gender stereotypes in our cultural context. In none of the studied works, except for cases in which the author attempts to express betrayal or sensuality, older women were not seen in marital or emotional relationships, while the opposite side is seen in many works.  </abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Women Studies</title>
			</titleInfo>
			<originInfo>
				<publisher>IHCS</publisher>
			</originInfo>
			<identifier type="issn">2383-0743</identifier>
			<part>
				<detail type="volume">
					<number>9</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>ویژه نامه</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2018</text>
				<extent unit="pages">
					<start>63</start>
					<end>76</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">http://womenstudy.ihcs.ac.ir/article_3508_8eb799d1c95223f7a2dacf0f60425b3f.pdf</identifier>
			<identifier type="doi"></identifier>
			</mods>
		<mods version="3.5">
		    <titleInfo>
				<title>A Sociological Analysis of Women's Self-consciousness in Opposition to Traditional and Modern Structures: The case study of Simin Daneshvar’s Novels</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">elham</namePart>
				<namePart type="given">mohammadi</namePart>
				<affiliation>M.A. in Sociology of Guilan University</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">hoda</namePart>
				<namePart type="given">yaghouti</namePart>
				<affiliation>ph.d student of sociology of shahid beheshti university</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2018</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">per</languageTerm>
			</language>
			<abstract>Studying the Simin Daneshvar’s novels Wandering Island and Wander Cameleer (a two-volume story), this research attempts to analyze women social status and their level of self-awareness in opposition to traditional and modern structures in contemporary Iranian society.  Modernity’s indicators and women’s struggles in dealing with them have been also investigated. By way of deconstructing or retelling the story, one can find out what level of awareness and subjectivity the women of the story enjoy. The main theme of the story is the flow of internal dialogue. But the greatest struggle that calls the main character (Hasti) fighting to find herself, are her experiences in her emotional life (the dilemma of Salim-Murad). The story analysis showed that the main character of the story comes to self-consciousness in the process of her spiritual and thought evolution.</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Women Studies</title>
			</titleInfo>
			<originInfo>
				<publisher>IHCS</publisher>
			</originInfo>
			<identifier type="issn">2383-0743</identifier>
			<part>
				<detail type="volume">
					<number>9</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>ویژه نامه</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2018</text>
				<extent unit="pages">
					<start>77</start>
					<end>100</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">http://womenstudy.ihcs.ac.ir/article_3510_4cabd3d12ca64ad95dafbb477bbf5055.pdf</identifier>
			<identifier type="doi"></identifier>
			</mods>
		<mods version="3.5">
		    <titleInfo>
				<title>Native Narrations from Feminine Worldviews
(With an emphasis on the works of Maniro Ravanipour and Zoya Pirzad)</title>
			</titleInfo>
				<name type="personal">
				<namePart type="family">Roozbeh</namePart>
				<namePart type="given">Moradi</namePart>
				<affiliation>M.A. Student of General Linguistics, Payame Noor University (PNU), Tehran, Iran</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Bahman</namePart>
				<namePart type="given">Zandi</namePart>
				<affiliation>Professor of Linguistics and Foreign Languages Department, Payame Noor University (PNU), Tehran, Iran</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
				<name type="personal">
				<namePart type="family">Maryam Sadat</namePart>
				<namePart type="given">Ghiasian</namePart>
				<affiliation>Associate Professor of Linguistics and Foreign Languages Department, Payame Noor University (PNU), Tehran, Iran</affiliation>
				<role>
				<roleTerm type="text" authority="marcrelator">author</roleTerm>
				</role>
			</name>
			<typeOfResource>text</typeOfResource>
			<genre>article</genre>
			<originInfo>
				<dateIssued keyDate="yes" encoding="w3cdtf">2018</dateIssued>
			</originInfo>
			<language>
				<languageTerm type="code" authority="iso639-2b">per</languageTerm>
			</language>
			<abstract>Native literature, with its certain characteristics, outlines the peoples’ aspirations of a region along with their culture and customs. The present paper is a comparative study of the cultural and social conditions that are reflected in the works of Ravanipour and Pirzad. In fact, through studying the cultural representations and social norms in the works of these two authors, we seek to explain the issue of women’s world views and life system. Relying on a native narration, both authors are directed to discover women&#039;s identity and their vulnerability and loneliness in a male-dominated society. Despite the fact that both writers have come from the southern environment of Iran, Ravanipour is better at representing nativeism in his works, while Pirzad’s approach to his environment is more impartial. However, both writers, while understanding the difficult conditions of their patriarchal society, have been trying, based on the components are provided to them by literature, to put aside the vital elements of the society and to create occasions that can only be created through literary language</abstract>
			<relatedItem type="host">
			<titleInfo>
				<title>Women Studies</title>
			</titleInfo>
			<originInfo>
				<publisher>IHCS</publisher>
			</originInfo>
			<identifier type="issn">2383-0743</identifier>
			<part>
				<detail type="volume">
					<number>9</number>
					<caption>v.</caption>
				</detail>
				<detail type="issue">
				<number>ویژه نامه</number>
				<caption>no.</caption>
				</detail>
				<text type="year">2018</text>
				<extent unit="pages">
					<start>49</start>
					<end>62</end>
				</extent>
			</part>
			</relatedItem>
			<identifier type="uri">http://womenstudy.ihcs.ac.ir/article_3509_ae755338133bf7942f14d9558e9caee4.pdf</identifier>
			<identifier type="doi"></identifier>
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